Search
-
Recent Posts
Archives
Categories
- aerial views
- Allonby
- archaeology
- architecture
- art and science
- artificial reefs
- bioturbation
- coal
- coastal heritage
- conservation
- crossings & waths
- dunes
- farming
- fishing
- Foot-and-Mouth epidemic
- fortified churches
- fossils
- Found Objects
- geology
- Guest Posts
- Hadrian's Wall
- haematite
- ice
- industrial archaeology
- industrial heritage
- LIMESTONE
- limestone and drystone walls
- limestone and haematite
- limestone fossils
- limestone limekilns
- limestone pavements
- limestone rock armour
- limestone scenery
- limestone, an introduction
- Marine Conservation Zone
- mud-shrimps
- mudflats
- peat
- peat, bogs and moors
- ports
- quarries
- quicklime
- renewable energy, tide & wind
- RNLI
- rowing
- Sabellaria, honeycomb worm
- salt
- saltmarshes
- sand
- sandstone
- sea-bed & undersea
- seaweeds
- shells
- ships
- slag-banks
- smallholding
- Snippets
- Solway Viaduct & Railway
- Spring & Neap Tides
- stones
- submerged forest
- The 'Energy Coast'
- tidal bores
- tidelines
- Uncategorized
- wetlands
- Writing
Tag Archives: Amelia Griffiths
The art and science of seeing seaweeds
When I was an undergraduate I collected these green and red seaweeds – algae – on a field trip to Liverpool’s former Marine Laboratory at Port Erin, Isle of Man. We were shown how to float the more delicate species … Continue reading
Posted in art and science, seaweeds
Tagged Amelia Griffiths, Anna Atkins, cyanotype, Henry Fox Talbot, Herschel, photography, William Harvey
Comments Off on The art and science of seeing seaweeds