Category Archives: industrial heritage

Sandstone, ‘smooth as walnut turned on a lathe’

“Fine sandstone is quite silky, you get a crisp image, the maximum sculptural effect. With sandstone there’s no reflection of light to distort what you see.” Sky Higgins, sculptor. “Red St Bees’ is a fine-grained stone, dull red in colour… … Continue reading

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Ship’s-keel scaur: but whose keel?

On a warm, calm evening in May, at a low Spring tide, Ronnie Porter led me along the shore at Allonby. As we walked, he showed me the various rocky scaurs and boulders, and he told me their names. Near … Continue reading

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Snippets 5: Angels, salt and shroud-pins

Pat Bull unlocked a peeling black door and showed me into a small brick-walled room. On the plain wooden table which almost filled the space were small polythene bags and boxes, labelled in black feltpen with numbers and letters. At … Continue reading

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The design of the Solway: an aerial perspective, part 1

To understand how something works, you need to understand not only its design, but its interconnections and interactions with its surroundings. So it is with the Solway Firth. My ongoing fascination with the Firth’s ‘design’ is why I have recently … Continue reading

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The volcanoes of Workington

The colours of pebbles on the shore range from grey and ochre through green to blue, and the eroded cliff is banded orange and purple and red, like a section through an old volcano. Pebbles are bubbled with cavities, though … Continue reading

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